Her interests center on how cultural narratives are mediated by objects, systems of organization, and modes of public engagement, with particular attention to material culture, design history, and exhibition practices.

Her professional experience spans nonprofit organizations, as well as administrative and educational environments in positions centered on communication, collaboration, and public-facing interaction. This work has shaped their understanding of how information is organized and presented for different audiences, and how structural constraints shape encounter.

Alongside this work, she maintains a material practice working primarily with metal and textiles, producing objects which explore ideas of ornament, protection, labor, and proximity. Approaching making as a method of inquiry as well as a form of output, tactile processes lend way to deeper understanding of the relevance of contradiction, scale, and spatial relation in object-design.